Monday, March 14, 2016
Real life stories of N.W.A. and Straight Outta Compton [VIDEOS]
Great interviews by DJ Vlad (pictured above) with people who were down with the members of N.W.A. back when they got started.
Vladimir Lyubovny better known as DJ Vlad is a disc-jockey and executive vice president at Loud.com, part of the SRC/Universal family. He is also CEO of VladTV.com - a video website that many refer to as "The TMZ of Hip-Hop."–Wikipedia
Watch the playlist of FIVE (5) interviews below. (Each video will play automatically after each other)
Thursday, January 14, 2016
Ryan Coogler Discusses Landing the Black Panther Directing Gig
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| Ryan Coogler |
Ryan Coogler has been talking about landing the Black Panther gig, revealing how much the character means to him, both professionally and personally.
Marvel announced that Coogler would be directing the forthcoming blockbuster earlier this week, so when IGN grabbed some time with him at the Creed junket, we asked how it felt to be working for the superhero studio:
“Oh it’s exciting man, it’s so exciting,” he enthused. “I think even more-so than it being a Marvel movie is that it’s a story that has a lot of meaning and significance to me as a filmmaker, as an artist, and as a film fan. It’s really exciting to be able to do something that’s this unique.”
We also asked Creed star Michael B. Jordan what he thinks about the news.
“Oh man I’m super excited,” he exclaimed. “I’m a big comic book guy, and Black Panther is a character that’s so interesting – T’Challa’s amazing, Chadwick Boseman’s a really amazing actor, so I’m really looking forward to seeing what they do together.”
Jordan added that he thinks Coogler will ground Black Panther's fantastical story in a degree of realism.
“I think what he brings to all films is a sense of humanity and groundedness to it,” he replied. “I think these Marvel films are so larger than life that I think it’s kind of cool to get a grounded superhero version of that. Of course with all the larger-than-life elements Marvel will be Marvel, especially with the Black Panther being involved with Civil War, Captain America and that whole kind of thing, I mean I don’t know that much about it, but there’s so much real estate to play with and Ryan I’m pretty sure will find a nice way to tie it all together.”
RELATED
Our post
Everything you need to know about Marvel’s Black Panther
On our parent blog, the 'Nother Brother Entertainment blog you can read the reviews of Coogler's last two films Fruitvale Station (2013) and Creed (2015) here
Friday, January 8, 2016
Finn's Backstory Revealed in Star Wars Related Book
There's a lot of talk in the black filmgoing community about the mystery that is Finn (John Boyegea) in the new Star Wars films. Much of it was excellently elaborated in the piece Why John Boyega As Finn Is One Of The Best New Characters In Star Wars, but below is excerpts from actual canon Star Wars materials, meaning it's really related to the franchise and not "fan fiction" etc. It's from the below book
by imgur
RELATED
Why John Boyega As Finn Is One Of The Best New Characters In Star Wars
Why Finn Will Probably Become A Jedi In Star Wars Episode 8
I haven't read it, but someone on imgur has and put the info their site. You can read their info below. WARNING: Spoilers and Explicit Language
Star Wars Meta/Spoilers: Finn & The Stormtroopers
Stop here if you are one of the 3 people yet who haven't seen Star Wars: The Force Awakens
Greg Rucka’s Star Wars novel Before the Awakening is A) Quite good and B) Explains much about Finn’s stormtrooper training and social circle leading up to the movie.
In a nutshell:
- Finn was trained in a squad of four boys: Him (FN-2187), Nines, Zero and Slip.
Nines and Zero have nicknames based on their alphanumerical designations (Zero’s is FN-2003, Nines ended in 9s, etc.). Slip was called slip because he was a fuckup.
- Turns out, most troopers have nicknames
- Why does FN-2187 not have a nickname? Because nobody really likes him. An older trooper tells him straight to his face: he’s an outsider. It just happens to some troopers.
- Why is this extra tragic? Is it because Finn’s a shitty trooper? NO. He’s actually top of his little trooper class. He’s the fucking bomb -- with a blaster, with tactics, with hand-to-hand weapons. Phasma’s got extremely high expectations for him. (what a fuckin mary sue amirite)
- So why is this actually extra tragic? What’s Phasma’s one problem with him? Finn cares too much. He cares about keeping his squad alive.
- He cares about going back for his friends more than the mission objective SOUND FAMILIAR?
- So Phasma tells him to stop coddling Slip or face consequences. He does.
- And then: the skirmish on Jakku. A trooper dies and Finn loses his final shred of faith in the First Order. Who is that trooper? SURPRISE IT IS SLIP. Basically Finn’s brother, even if he never really fit in with his squad.
- And then: the first thing Poe does is give him a nickname based on his alphanumerical designation JUST LIKE HIS TROOPER FAMILY, NINES AND ZERO AND SLIP, WHO NEVER LIKED HIM ENOUGH TO GIVE HIM ONE.
![]() |
| FN-2199 aka TR-8R |
IN CONCLUSION the trooper in the gifset above who recognizes Finn on sight (and who has been meme-nicknamed TR-8R) is likely Zero or Nines. (It was confirmed by StarWars.com that "TR-8R" is indeed FN-2199 aka Nines-Cool Black)
RELATED
Why John Boyega As Finn Is One Of The Best New Characters In Star Wars
Why Finn Will Probably Become A Jedi In Star Wars Episode 8
| CLICK the button to see all of our blog posts about JOHN BOYEGA |
Monday, December 28, 2015
Why John Boyega As Finn Is One Of The Best New Characters In Star Wars
For the Love of FN-2187: Why John Boyega as Finn is One of the Best New Characters in Star Wars
by Jamal Igle, The Nerds of Color
December 23, 2015
Star Wars: The Force Awakens is a juggernaut. Critically acclaimed and the current holder of the title of “biggest film opening of all time.” It’s an engaging film that engrosses the viewer and harkens back to the early days of franchise. As it is with all things pop culture, particularly in the age of internet piety, the film also has its detractors. The complaints range across the spectrum but one of the most pointed complaints have been towards Finn, the character portrayed by British actor John Boyega. Two writers whom I’m good friends with — Hannibal Tabu and Joe Illidge — have both written pieces complaining about the character for similar reasons, calling him inept, and even neutered. (Linked at the bottom of this article)
I love you guys, you know I do, but I couldn’t disagree with you more. Now this is going to be a rather spoiler filled piece, so if you haven’t seen the movie, now’s your time to hit the eject button and go look at Buzzfeed.
Hannibal in particular said: “You literally were good for nothing. Failed janitor, sent to fight. Failed fighter, ran away … why exactly? What prompted your crisis of conscience? Script doesn’t care, so why should I?”
Finn — or as we’re introduced to him in the opening scene of the film by his identification number FN-2187 — was raised to be a Stormtrooper. During a village raid on the desert planet of Jakku, Finn has a crisis of conscience and refuses to fire on a group of captured prisoners. Deciding that he had to leave The First Order but needing a pilot, he decides to free captured resistance fighter Poe Dameron. There’s an instant rapport between the two as they make their escape and Poe gives him his new moniker while they’re escaping.
Finn is a character without an identity when we first meet him. One of the many faceless drones amongst The First Order, Finn is the first Stormtrooper we ever see remove his helmet in any of the films. We’re witnessing a birth in a way. All he wants to do is get away from the people who have oppressed him, as far as possible and never return. He’s never known a life outside of being a Stormtrooper, the mission on Jakku possibly being the first time he’s seen actual combat. What he saw shocked him so much, it shook his programming and for the first time, he saw things for what they truly were. That was the first step into a larger world, to coin an appropriate phrase.
Many of the complaints about Finn seem to stem from people who were disappointed that he seemed to be useless in their eyes. Much of it, I suspect is based on the speculation leading up to his role in the overall narrative. We’d seen so many images before the movie hit theaters of Finn wielding Anakin Skywalker’s original blue lightsaber, there was a natural assumption that he would turn out to be the spiritual successor to Luke Skywalker. However, we didn’t get that since that role was to go to Daisy Ridgley’s Rey. No, with Finn we got the successor to another popular Star Wars icon, Han Solo.
Like Han, Finn is our everyman. He is the entry point hero we follow through the story. Like Han, Finn is normal. He’s not royalty, nor a superpowered force wielder. In fact, until being handed a lightsaber by Maz Kanata, he’d never even seen one outside of Kylo Ren’s. He’s a guy, trying to escape his past, who keeps being drawn back to doing the right thing. He fights his fears to save Poe, then later Rey.
People forget that Han Solo spent the majority of both Star Wars and The Empire Strikes Back trying to leave the Rebellion. Han wasn’t a hero, he didn’t want to go on the Death Star to rescue Leia until the promise of a reward was placed in front of him. He was ready to leave before the Battle of Yavin but came back because he knew it was the right thing to do. In spite of that, he fell into the role of leader, not out of duty, but love. Love for Leia and Luke, yet even in the beginning of Empire, he was still planning on leaving since the bounty on his head was so high there was nowhere for him to hide. Han wasn’t a particularly great shot, or an expert pilot. He had the fastest ship, only by default. He wasn’t naturally brave, and was captured by the Empire, frozen in carbonite, and mounted on Jabba’s wall. The thing that made Han popular was his everyman quality. He was the one character in the original trilogy who was the skeptic. He didn’t believe in The Force, calling it simple tricks and nonsense. Like Finn, Han fought his instinct to run to do the right thing.
As we get to know Finn, we discover who he was. He was a nameless drone who worked in sanitation. Funny, charismatic in his way and much to his surprise, brave. What makes Finn work for me as a character is that in spite of the fact that he’s not the Super-Negro a lot of potential viewers were hoping for; instead, Finn ends up being the hero. When Rey is down, he steps forward, lightsaber in hand to take on Kylo Ren. The Resistance is only able to take down Starkiller Base because Finn knows his way around, providing them with the critical information to not only get past their shields but to destroy the reactor.
There’s a quote that I like: “Being brave doesn’t mean you are not scared. It means you are scared but you do what has to be done anyways.”
That is what makes Finn work for me. It helps that John Boyega is, like Harrison Ford before him, incredibly engaging and affable in the role. I look forward to seeing his character grow over the series, to embrace his role in the story no matter how it shakes out.
Not every black hero has to be Wesley Snipes in Passenger 57, kicking everyone’s ass with a quip and a smile. Sometimes it’s good to see an unsure man becoming something more than he was. Sometimes it’s good to see the hero stumble, fall, and then get up again.
ADDITIONAL
Hannibal Tabu article
Joe Illidge article
by Jamal Igle, The Nerds of Color
December 23, 2015
Star Wars: The Force Awakens is a juggernaut. Critically acclaimed and the current holder of the title of “biggest film opening of all time.” It’s an engaging film that engrosses the viewer and harkens back to the early days of franchise. As it is with all things pop culture, particularly in the age of internet piety, the film also has its detractors. The complaints range across the spectrum but one of the most pointed complaints have been towards Finn, the character portrayed by British actor John Boyega. Two writers whom I’m good friends with — Hannibal Tabu and Joe Illidge — have both written pieces complaining about the character for similar reasons, calling him inept, and even neutered. (Linked at the bottom of this article)
I love you guys, you know I do, but I couldn’t disagree with you more. Now this is going to be a rather spoiler filled piece, so if you haven’t seen the movie, now’s your time to hit the eject button and go look at Buzzfeed.
Hannibal in particular said: “You literally were good for nothing. Failed janitor, sent to fight. Failed fighter, ran away … why exactly? What prompted your crisis of conscience? Script doesn’t care, so why should I?”
Finn — or as we’re introduced to him in the opening scene of the film by his identification number FN-2187 — was raised to be a Stormtrooper. During a village raid on the desert planet of Jakku, Finn has a crisis of conscience and refuses to fire on a group of captured prisoners. Deciding that he had to leave The First Order but needing a pilot, he decides to free captured resistance fighter Poe Dameron. There’s an instant rapport between the two as they make their escape and Poe gives him his new moniker while they’re escaping.
Finn is a character without an identity when we first meet him. One of the many faceless drones amongst The First Order, Finn is the first Stormtrooper we ever see remove his helmet in any of the films. We’re witnessing a birth in a way. All he wants to do is get away from the people who have oppressed him, as far as possible and never return. He’s never known a life outside of being a Stormtrooper, the mission on Jakku possibly being the first time he’s seen actual combat. What he saw shocked him so much, it shook his programming and for the first time, he saw things for what they truly were. That was the first step into a larger world, to coin an appropriate phrase.
Many of the complaints about Finn seem to stem from people who were disappointed that he seemed to be useless in their eyes. Much of it, I suspect is based on the speculation leading up to his role in the overall narrative. We’d seen so many images before the movie hit theaters of Finn wielding Anakin Skywalker’s original blue lightsaber, there was a natural assumption that he would turn out to be the spiritual successor to Luke Skywalker. However, we didn’t get that since that role was to go to Daisy Ridgley’s Rey. No, with Finn we got the successor to another popular Star Wars icon, Han Solo.
Like Han, Finn is our everyman. He is the entry point hero we follow through the story. Like Han, Finn is normal. He’s not royalty, nor a superpowered force wielder. In fact, until being handed a lightsaber by Maz Kanata, he’d never even seen one outside of Kylo Ren’s. He’s a guy, trying to escape his past, who keeps being drawn back to doing the right thing. He fights his fears to save Poe, then later Rey.
People forget that Han Solo spent the majority of both Star Wars and The Empire Strikes Back trying to leave the Rebellion. Han wasn’t a hero, he didn’t want to go on the Death Star to rescue Leia until the promise of a reward was placed in front of him. He was ready to leave before the Battle of Yavin but came back because he knew it was the right thing to do. In spite of that, he fell into the role of leader, not out of duty, but love. Love for Leia and Luke, yet even in the beginning of Empire, he was still planning on leaving since the bounty on his head was so high there was nowhere for him to hide. Han wasn’t a particularly great shot, or an expert pilot. He had the fastest ship, only by default. He wasn’t naturally brave, and was captured by the Empire, frozen in carbonite, and mounted on Jabba’s wall. The thing that made Han popular was his everyman quality. He was the one character in the original trilogy who was the skeptic. He didn’t believe in The Force, calling it simple tricks and nonsense. Like Finn, Han fought his instinct to run to do the right thing.
As we get to know Finn, we discover who he was. He was a nameless drone who worked in sanitation. Funny, charismatic in his way and much to his surprise, brave. What makes Finn work for me as a character is that in spite of the fact that he’s not the Super-Negro a lot of potential viewers were hoping for; instead, Finn ends up being the hero. When Rey is down, he steps forward, lightsaber in hand to take on Kylo Ren. The Resistance is only able to take down Starkiller Base because Finn knows his way around, providing them with the critical information to not only get past their shields but to destroy the reactor.
There’s a quote that I like: “Being brave doesn’t mean you are not scared. It means you are scared but you do what has to be done anyways.”
That is what makes Finn work for me. It helps that John Boyega is, like Harrison Ford before him, incredibly engaging and affable in the role. I look forward to seeing his character grow over the series, to embrace his role in the story no matter how it shakes out.
Not every black hero has to be Wesley Snipes in Passenger 57, kicking everyone’s ass with a quip and a smile. Sometimes it’s good to see an unsure man becoming something more than he was. Sometimes it’s good to see the hero stumble, fall, and then get up again.
ADDITIONAL
Hannibal Tabu article
Joe Illidge article
| CLICK the button to see all of our blog posts about JOHN BOYEGA |
Monday, August 31, 2015
Honorary Oscar Recipient Spike Lee Also a Frequent Critic of the Academy [VIDEO]
By Scott Feinberg, The Hollywood Reporter
August 27, 2015
Spike Lee, probably the most famous black filmmaker in the history of American cinema and long an outspoken critic of the Academy of Motion Picture Arts and Sciences, will be presented with an honorary Oscar at the Academy's seventh Governors Awards on Nov. 14, the organization announced Thursday. At 58, Lee is the youngest male tapped for an honorary Oscar — which historically has been something of a lifetime achievement award — since one went to 46-year-old Planet of the Apes makeup artist John Chambers in 1969.
Now the question is: what will he say when accepting the honor?
Lee's long and complicated relationship with the Academy dates back 32 years. In 1983, he won a Student Academy Award for Joe's Bed-Stuy Barbershop: We Cut Heads, his NYU thesis film, which helped to put him on the map. Just a few years later, his films She's Gotta Have It (1986), which premiered at Cannes and won the best first feature Indie Spirit Award, and School Daze (1988) made him a major player on the indie scene. And then came Do the Right Thing.
The 1989 dramedy, which chronicles simmering racial tensions that eventually boil over on a block in Brooklyn, premiered at the Cannes Film Festival in May — and, despite a rapturous reception, ended up receiving not a single prize, to the shock of many and the vocal displeasure of Lee. When it opened in the U.S. in June, it sparked nationwide debate, discussion and further awards buzz. (The Los Angeles Film Critics chose the film as its best picture and Lee as its best director.)
But when Oscar nominations were announced a few months later, Lee again was left disappointed: the only acknowledgement of Do the Right Thing came in the categories of best supporting actor (Danny Aiello) and best original screenplay (for Lee). Adding insult to injury, the film that landed the most nominations — and ultimately won best picture — was Driving Miss Daisy, a film directed by a white man about a servile black man catering to a bigoted white woman.
In 2011, Lee, still stung by that experience, told Charlie Rose, "In 1989, Do the Right Thing was not even nominated [for best picture]. What film won best picture in 1989? Driving Miss motherf—ing Daisy! That’s why [Oscars] don’t matter. Because 20 years later, who’s watching Driving Miss Daisy?” He addedin 2015, "Are they going to choose a film where you have the relatively passive black servant, or are they going to choose a film with a menacing 'Radio Raheem'? A lot of times, people are going to vote for what they're comfortable with, and anything that's threatening to them they won't."
Lee's frustrations with the Academy undoubtedly were compounded by the recognition — or lack thereof — that his subsequent "Spike Lee Joints" have received from the organization. Mo' Better Blues (1990),Jungle Fever (1991), Malcolm X (1992) and 25th Hour (2002) all premiered at major international film festivals and were up for or received honors from other major awards groups, but only Malcolm Xreceived any acknowledgement from the Academy: a best actor nom for Denzel Washington, plus a best costume design nom, ultimately losing both.
Meanwhile, Lee himself has been a contender only one other time: 4 Little Girls (1997), his film about the young victims of the 16th Street Baptist Church bombing in 1963, was nominated for best documentary feature, losing to The Long Way Home, a film about the birth of Israel that was produced by RabbiMarvin Hier and Richard Trank. Lee attended the ceremony but said afterward, "I didn't have a chance. I knew that. Against a rabbi? Put the Jewish vote in the academy against the one or two black members and what do you think?"
In 2014, Lee, by now the artistic director of the graduate film program at NYU, and the Academy, under new management that had a stated goal of increasing the diversity of its membership, seemed to reach a detente. That spring, he returned to the Oscars hoping to see 12 Years a Slave become the first film directed by a black man to win best picture — and it did. ("I was very happy for Steve McQueen," he said later. "I wanted to be there because I knew it was going to be historic.") And that summer, the same Academy that had once turned a cold shoulder towards Do the Right Thing celebrated its 25th anniversary with bicoastal screenings and Q&As with key people associated with the film, including Lee.
But when, in January of this year, Selma, a critically-acclaimed biopic about Dr. Martin Luther King, Jr., was denied Oscar noms for best director (Ava DuVernay could have become the first black woman ever nominated) and best actor (David Oyelowo was widely expected to make the cut but neither he nor any other black people actually did), it clearly reopened some old wounds for Lee. Hours after the announcement, he vented: "If I saw Ava today I'd say, 'You know what? F--- 'em.'"
He continued, "Anyone who thinks this year was gonna be like last year is retarded. There were a lot of black folks up there with 12 Years a Slave, Steve,Lupita [Nyong'o], Pharrell [Williams]. It's in cycles of every 10 years. Once every 10 years or so I get calls from journalists about how people are finally accepting black films. Before last year, it was the year [2002] with Halle Berry, Denzel and Sidney Poitier. It's a 10-year cycle. So I don't start doing backflips when it happens."
"The Academy is trying to be more diverse," he added. "[Academy president] Cheryl [Boone Isaacs] is trying to open it up and have more diversity amongst the members of the Academy of Motion Picture Arts and Sciences. But with Selma, it's not the first time it's happened, and every time it does I say, 'You can't go to awards like the Oscars... for validation. The validation is if your work still stands 25 years later.'"
Now the question is: what will Lee have to say on the one night in his life on which he is guaranteed to receive an Oscar?
ADDITIONALWATCH Spike Lee's Oscar speech below along with his superstar introduction.
| CLICK the button to see all of our blog posts about SPIKE LEE |
Monday, August 24, 2015
TWEETS from 2012: Great Acting Advice From Director F. Gary Gray
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| Blog Post #21 |
I'm assuming that because of the breakout hit his latest film Straight Outta Compton has become this post on another blog of mine has been getting hits so I'm reposting it here.
"After its record-breaking debut last weekend, Straight Outta Compton once again topped the box office, bringing in an estimated $26.8 million and handily beating this weekend’s three other new releases.
The N.W.A. biopic opened to an enormous $60.2 million last weekend, and 10 days after its release, Compton has already grossed more than $111 million domestically." Entertainment Weekly, August 23 2015
As a filmmaker myself I thought his advice was on point! Check out his great tweets below.
You can see what he said below.
Robi Reed casting director (she cast "Set It off" for me) suggests: Preparation is key. Dont make excuses!
— F Gary Gray (@F_Gary_Gray) June 22, 2012
Audition Advice: PLEASE look like your picture! And you know who I'm talking about! Yeah YOU!
— F Gary Gray (@F_Gary_Gray) June 22, 2012
Know who you are auditioning for! Some casting directors are givers, some are takers be prepared for both!! NO EXCUSES!!
— F Gary Gray (@F_Gary_Gray) June 22, 2012
If you're just a fame-chaser, and you know who you are, DON'T BOTHER! Believe it or not, acting is a real CRAFT. Study you're craft.
— F Gary Gray (@F_Gary_Gray) June 22, 2012
Acting is about giving, being vulnerable, not memorizing, looking good, or competing.Related
— F Gary Gray (@F_Gary_Gray) June 22, 2012
F. Gary Gray @ IMDb
Tuesday, August 11, 2015
Everything you need to know about Marvel’s Black Panther
BLAIR MARNELL, SuperheroHype
AUG 07, 2015
Marvel Studios’ next film, Captain America: Civil War, is getting a lot of press for the pending conflict between Captain America and Iron Man, the introduction of Spider-Man to the Marvel Cinematic Universe and more than enough superheroes to fill out an Avengers movie. That film will also serve as the live-action debut of Chadwick Boseman (pictured above right) as Black Panther, one of the very first black superheroes in comics!
Stan Lee and Jack Kirby created Black Panther in 1966 during their epic run on Fantastic Four. Black Panther a.k.a. T’Challa was like no other superhero before him. He was the king of a technologically-advanced African nation known as Wakanda. And Black Panther was nobody’s sidekick. One of the reasons that Marvel Studios retains the rights to Black Panther is that he became a solo hero outside of the Fantastic Four franchise, and he was also a member of the Avengers in the early years of that comic.
Writer Don McGregor was the first to chronicle Black Panther’s solo adventures, and his innovative run was followed by Jack Kirby, Peter B. Gillis, Christopher Priest, Reginald Hudlin [Yes the director of House Party and Boomerang starring Eddie Murphy-Dankwa Brooks], Jonathan Maberry, and David Liss along with many different comic artists. Marvel has also signaled that a new Black Panther ongoing comic book series will be released next fall following the conclusion of the Secret Wars crossover event.
While Black Panther hasn’t made many appearances outside of Marvel’s comic book universe, Marvel Studios clearly thinks that Black Panther could be one of its next film franchises. In 2018, Boseman will star in the Black Panther movie, and it’s a pretty safe bet that he will also show up in the two-part Avengers: Infinity War. Along the way, you can expect to see a whole lot of Black Panther merchandise and collectibles as Marvel paves the way for its next superstar.
SuperHeroHype’s Origins and Evolutions is taking a look back at Black Panther’s long history in comics and a glimpse at his upcoming cinematic adventures via a great slide show. CLICK the graphic below to go their page. (The slide show is at the bottom of the article)
The Black Panther solo film is set to bow on February 16, 2018
RELATED
On our parent company Facebook page
AUG 07, 2015
Marvel Studios’ next film, Captain America: Civil War, is getting a lot of press for the pending conflict between Captain America and Iron Man, the introduction of Spider-Man to the Marvel Cinematic Universe and more than enough superheroes to fill out an Avengers movie. That film will also serve as the live-action debut of Chadwick Boseman (pictured above right) as Black Panther, one of the very first black superheroes in comics!
![]() |
| The official announcement of Black Panther Left to Right Robert Downey Jr., Chadwick Boseman and Chris Evans |
Stan Lee and Jack Kirby created Black Panther in 1966 during their epic run on Fantastic Four. Black Panther a.k.a. T’Challa was like no other superhero before him. He was the king of a technologically-advanced African nation known as Wakanda. And Black Panther was nobody’s sidekick. One of the reasons that Marvel Studios retains the rights to Black Panther is that he became a solo hero outside of the Fantastic Four franchise, and he was also a member of the Avengers in the early years of that comic.
Writer Don McGregor was the first to chronicle Black Panther’s solo adventures, and his innovative run was followed by Jack Kirby, Peter B. Gillis, Christopher Priest, Reginald Hudlin [Yes the director of House Party and Boomerang starring Eddie Murphy-Dankwa Brooks], Jonathan Maberry, and David Liss along with many different comic artists. Marvel has also signaled that a new Black Panther ongoing comic book series will be released next fall following the conclusion of the Secret Wars crossover event.
While Black Panther hasn’t made many appearances outside of Marvel’s comic book universe, Marvel Studios clearly thinks that Black Panther could be one of its next film franchises. In 2018, Boseman will star in the Black Panther movie, and it’s a pretty safe bet that he will also show up in the two-part Avengers: Infinity War. Along the way, you can expect to see a whole lot of Black Panther merchandise and collectibles as Marvel paves the way for its next superstar.
SuperHeroHype’s Origins and Evolutions is taking a look back at Black Panther’s long history in comics and a glimpse at his upcoming cinematic adventures via a great slide show. CLICK the graphic below to go their page. (The slide show is at the bottom of the article)
You can see ALL the articles about Black Panther at SuperheroHype HERE
| CLICK the button to see all of our blog posts about CHADWICK BOSEMAN |
RELATED
On our parent company Facebook page
GREAT PROFILE of Cyborg (comics) via @THR by GRAEME MCMILLAN, The Hollywood ReporterJULY 22, 2015 5:16pm PT A quick...
Posted by 'Nother Brother Entertainment on Thursday, July 30, 2015
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