Showing posts with label Empire. Show all posts
Showing posts with label Empire. Show all posts

Tuesday, June 16, 2015

Taraji P. Henson Gets Candid: ABFF 2015


ABFF 2015: Taraji P. Henson Gets Candid on Fear, Having a Baby in College, Hollywood Struggles, Career Goals, Oscar, 'Empire' + More


By Aramide A Tinubu | Shadow and Act
June 15, 2015 

Taraji P. Henson has been well known and loved in the Black community since her portrayal of Yvette, in John Singleton’s "Baby Boy" (2001). However, it was the unprecedented success of Fox’s hip-drama "Empire" that made her a household name around the world. This past weekend, at the 19th Annual American Black Film Festival. ABFF’s 2015 Ambassador Taraji P. Henson sat down with Gayle King to talk about her long running career, dating, raising her son and what she wants most of all.  Here are some of the highlights, and Shadow and Act attended.
Here are some highlights from the conversation:

On going From Electrical Engineering to Acting
- What had happened was I auditioned for the Duke Ellington School of the Arts in the tenth grade, and I didn’t get accepted.  My best friend did, isn’t that horrible? I took it to heart. I thought that meant I could not act, so I stopped acting. When it was time to go to college I knew I had to go to school, so I just said electrical engineering because it sounded like I could make a lot of money.  But, I was terrible at math. Acting was still in me, but I was just afraid.

On Fear
- When I was at A&T I had to pass the fine arts building to get to my English Class. One day, I walked passed and they had an audition for a play and I was like 'I’m gonna do it.' And I got my monologue, and I remember standing on that stage and the only thing I kept hearing in my head was ‘No’. I was nervous and my hands were shaking, it was horrible. And they said, we’ll put up on the bulletin board the next day who gets the call back. I was so riddled with fear that I never went back to see if I got the call back.

On Growing Up
- I grew up in the hood and I wasn’t the coolest. I was an artist. I was a little quirky and to the left. I dressed a little crazy. But you know, I would set trends I would do kooky things like wear clips in the front of my hair and next thing you know, Peaches and them got clips in the front of their hair.

On Having A Baby In College
- Having a baby is not a disease; that’s a blessing. I get off on people saying, ‘You can’t’. I’m like OK, now I have to prove it.  So I showed all the naysayers, when I walked across that stage and collected my diploma with my son on my hip.  So many girls got pregnant in college and dropped out, I didn’t want to be that statistic. I wanted to show girls that just because you got pregnant in college, does not mean you have to stop. If anything, having my son motivated me to go to California and pursue my dreams, because if I didn’t, what am I teaching him?

On Coming to Hollywood
- I came to Hollywood in 1996, and people said, 'you’re too old and you got a baby.' And to that I said, 'Watch me work.' I moved to California with my son, seven hundred dollars and Jesus.

On Dating
- I wanted my son to respect women, and the only way I could get him to do that is if he respected me. He wasn’t going to do that if I was dating this one and dating that one.  And people ask me all the time, ‘Why are you single?’ and I'm like, ‘Y’all know what’s going on out here. Stop looking at me like it’s my fault.’ So, there are several reasons why I couldn’t date like that; for one, I’m a celebrity. If you get caught holding hands with your friend, then that’s who you’re dating, or you're pregnant. You know, my son didn’t choose this; I did. So, I was very particular about protecting him and making life as normal as possible.  I’m not going to have a man just to say that I have a man.  You want someone who is going to challenge you to be your better self. You don’t want someone who is just going to sit back and let you run the show.  

On Raising Her Son
- I had to be good cop, bad cop, mom, and dad. I had to do it all.

On Her Son’s Thoughts On Her Career Success
- He’s just proud. That’s my best friend, so I’ve talked to him throughout the years about what I wanted to do in my career. I would always say, I don’t just want to be a "Black actress.” God gave me this talent; I want to touch as many people in the world that I can.

On Career Struggles
- After 'Baby Boy,' I was intuitive enough to know that Tyrese’s career would take off before mine.  People were like, 'you know John Singleton makes superstars.' And something deep down inside me was like, 'that’s not going to happen.' I felt it.  And the first thing Tyrese booked I think was 'Fast & Furious,' and I was just like, you see?  It’s a man made world. I’m the trained actress and look.  It just made me stay grounded, and not get ahead of myself while recognizing it for what it was. I knew it was going to take some time, but that was ok.  I just did not want to be bitter. I knew so many actors who let this industry dictate who they are and they become bitter. I wasn’t going to do that.  I said, ‘I’m going keep my grace and I’m going to keep my wits about me, and one day, they will come around.’ So I prayed to God and asked for longevity.  I saw that I was going to have to make a lane for myself. You have to remember, when Halle Berry hit the scene, there was no lane for her either.  So I asked for longevity, but I also asked to do the kind of work that people would talk about long after I was gone. I was very clear.

On the Oscar Nomination Affecting Her Career
- It didn’t actually. The first call I got the day after, was from Tyler Perry to offer me the number one position. It was the lead in 'I Can Do Bad All By Myself' (2009). It was the first call with a real quote. It was the first time in my career that I’d seen real money. Interestingly enough, people railed me for doing that movie after the nomination. And I was like well, Scorsese didn’t call, I have to work with people who call. I was very offended about that. That man gave me a quote, no one else in Hollywood did.  And then right after that, 'Karate Kid' (2010) came, and they offered me a quote. Jada [Pinkett-Smith] was going to do it, but she was doing her show ['Hawthorne'] so she asked them to call me.  And they paid me my quote, so I’m a millionaire. Those two films - 'I Can Do Bad All By Myself' and 'Karate Kid' - made me a millionaire. After Karate Kid, there was nothing again. But, what kept me sane was I never compared myself to others. Well, it creeps up, but then you stop yourself.  I was like, 'I know I have a voice. I know that my time is going to come.  I just have to be patient and stay focused on the work that I am doing.'

On Money
- I’m not greedy because I feel like if I keep doing the work. God’s got me. So I’m clear on that. I think people who are filthy rich aren’t the happiest people. Biggie said it best, ‘mo money, mo problems’. Money is not my driving force; awards don’t get me to do jobs. If I’m not passionate then I won’t do it.

The One Thing Taraji Wants For Her Career
- A franchise movie! I want a franchise movie that is huge overseas. They are going to really take me seriously when I can open a movie overseas. It’s really going to boil down to that. Movies can do well domestically and they’re like ‘Ok, whatever.’ People always try to say that ‘Black Movies don’t do well overseas;’ but whose tried to do it? You can’t go see a movie that isn’t there to see.  You’re telling me that a Black movie won’t sell overseas but, are you over there trying to sell it?  I know that I have fans overseas because of social media.

On Empire
- As humans, the first thing that we do is judge, and when I picked the script up, I just wasn’t interested. I was done with TV; I felt trapped in a little box. I was doing a play in Pasadena. LA is not a theater driven town, but I didn’t care if no one came to see the show, I did it for me. That show sold out every night. I was the lead and I challenged myself. I’ve never played a lead in a play, and my name was never above the marquee; so I did that.  So I was immersed in that play when my manager called with the script for 'Empire.'  And it scared me; it scared the life out of me.  But when the fear arises, that means there is a challenge. That means I have to do it because I’m not going to let fear win. And I thought, if Fox handles this right, if this is the proper cast then this will change the game because of the way we deal about the subject matter. Nobody talks about depression; everyone knows about the homophobia in the Black community. We don’t need to talk about that. But let’s talk about depression. Raising a black son, I know for a fact that most African American men struggle with some form of depression, and we don’t talk about it. I’m telling you its real.

On Cookie Lyon
- Cookie is a lot. She can be a stereotype. But I saw who she was, and I was like, 'this woman is a powerhouse. I’ve never seen anything like her on TV.' I said, 'this could go one or two ways; they could either really love her, or they can hate her.' I mean, she beats her son with a broom; she calls her son a faggot. Cookie tells you the truth at all times. I get a lot of Cookie from my dad actually. My dad - may he rest in peace - He was just a lot.  He would make up names for people. He was just crazy and different and eccentric. But you know Cookie is my hero. She says and does the things that I wish I had the guts to say and do. She’s uncompromising.

Advice For Young People Who Want to Break Into the Industry

My advice to you is to stop thinking [about being] in front of the camera. My advice to you is to start thinking about heading studios. You need to start thinking as decision makers, the people who make opportunities. 


 CLICK the button to see all of
our blog posts about TARAJI P. HENSON







Saturday, March 7, 2015

'Empire' supercut: Cookie's Best Lines [VIDEO]

From USA Today March 5, 2015, a short video of Cookie Lyon's (Taraji P. Henson) best lines on the television show Empire.



 CLICK the button to see all of
our blog posts about TARAJI P. HENSON





Monday, February 23, 2015

'Empire' is a HIT and I Love It!

Blog Post #20
Cast of Empire
The latest ratings news as of this publishing. “From The Hollywood Reporter, February 19, 2015 "Empire's continued ratings growth should be getting boring at this point — but somehow, it's not. Fox's midseason champ rose yet again in its seventh episode, setting another high bar for its live-plus-same-day showing.

The latest high has Empire passing the lofty 5.0 rating and averaging a 5.1 rating among adults 18-49. That's up up three-tenths of a point from the previous high last week, and it could easily still go up even more in final returns this afternoon. Viewership was also up a solid million to 12.94 million viewers.

Empire nearly doubled the demo haul of lead-in American Idol, steady with a 2.7 rating with adults 18-49 and something of a footnote in Fox's easy win for the night."

The Empire ratings have been called “unprecedented” because that’s just what they are! They are breaking decades old records—every week! I call it a “The Cosby Show Level Ratings Event”. When The Cosby Show came on it “shook up the world” and quickly rose to become the number one show on television.

I’ve been a fan of Empire since day one, but some of my black friends stopped watching it. Basically they think it’s “coonery” and shows black people in a bad light. I do not share that opinion and as you can tell by many of my posts on this very blog, like Magic Negro and other posts across other social media, that I’m very cognizant of African American images in the media. I not only think the depictions are fine, I’m enjoying every minute of it!

Below Ernest Owens wrote a great piece and crystallized my thoughts on the matter. After his piece I posted two links to other articles on Empire’s success that I posted on the ‘Nother Brother Entertainment Facebook page.

Dear Empire Critics, Stop Hating. You Just Don't Get It.

Ernest Owens, Huffington Post
February 5, 2015

Dear Empire critics,
In a society that is currently more observant of media and entertainment pitfalls than ever before, sometimes we are too quick to judge. The speedy jolt of a tweet to pass prejudgment, or the too-full-of-assumptions Facebook essay to sound off on a quick observation, continues to reflect a culture that misinforms more quickly than it educates.

To all those who quickly critiqued Oscar-nominated filmmaker Lee Daniels' groundbreaking prime-time drama Empire as nothing more than another television show that is "failing black people": Take several seats and look carefully.

Your misplaced condemnation proves not only that you are showcasing total personal bias but that you are also out of touch.

Critics who pan this show are typically divided into two spheres: They're either advocates of making black television a respectability-politics showcase or they want to improperly use critical race theory.

The former wants programs that showcase blacks in a "proper" light, living behind nice picket fences with both parents in the household and all the children getting along just fine and no "ratchetry" to be found among this well-educated faith-based unit. Basically, these narrow-minded critics secretly desire to recreate The Cosby Show in any way possible, because it makes them feel acceptable under the white perception of a fantasied middle-class black family that ignores the socioeconomic disparity of their peers in America.
The latter also wants to police black imagery. They try to apply very strategic and scholarly approaches to every single aspect of the show. If there are gay black men in the episode, they are quick to misconstrue the inclusion and rather inappropriately cite all the times mainstream programs "emasculated the black man." If they see that a black woman is ever upset or violent, they are quick to act as though the media is in a conspiracy to depict the "angry black woman" trope at every opportunity. They ignore the context of a plot and setting and apply everything they see to their academic prerogative.

What both of these types of critics have failed to realize is that Daniels is a black gay man who is getting the chance to artistically produce his imagination and expression of society for network television to see. This show is not intended to garner white people's approval of our existence -- and if you have been keeping up with the headlines, you should know that your respectability won't save you. It's a prime-time drama for entertainment and reflection, people, not a political editorial or a public-policy initiative. Daniels is a creator who should be given a right to fully explore his cinematic talent without being constrained by the narrow social confines of "making black people look good."

If you are looking carefully at what I and the increasingly impressive millions of viewers are watching every Wednesday night, you will see a multidimensional cast of black characters who all meaningfully contribute to the plot. You will see various depictions of wealth and success, levels of education, shades and body images of black women, sexuality and acceptance, music and style -- a unique and inclusive look at what issues and discussions we are having in 2015.

The show is relevant and bold enough to be presented on network television and tell a tale that doesn't revolve around a white observance. Where else can you find that on television? While Blackish tries to show a black family adjusting in white suburbia, Empire owns the place. While Olivia Pope is chasing after a white president, Empire has their black CEO talking to President Barack Obama. While How to Get Away With Murder (which I am a die-hard fan of as well) has a black leading actress, she still has to put up with the racial confines of her self-identity and vulnerability. Empire has black women who are motivated, complex and self-driven while not having to take into consideration what white people think.

Empire is our Dallas. It transports us into a reality where we can see ourselves as one of the characters on the show. Whether snobby or reckless, gay or straight, dark or mocha, disabled or not, there is more to be seen from just the story line alone. It is one thing to criticize "reality" television that runs the risk of trying to depict black life disproportionately in one light as opposed to a scripted drama led by a black filmmaker who is guiding the plot.

For those critics who argue for diversity in prime-time in one breath but are then quick to tear down a black program that hasn't even made it to its second season, check your reasoning. If we are to demand more diverse programs, we have to also respect the nuance in them as well.

No, every show can't be a black family sitcom or an investigative crime spoof. If we are to actually recognize all aspects of black life, we need to recognize that there should be room for the highly educated as well as the working-class. There have to be shows that have heteronormative relationship dynamics but also gay, interracial ones as well. We need to accept that black programs are not reflections of just our own personal and social views but those of the many multitudes of the diaspora.

Empire is a phenomenal step toward encouraging us to see more levels and faces of the black experience than ever before, and we should be celebrating that alone. If that type of subject matter does not appeal to your taste, then respectfully agree to disagree. But just like the many white-dominated prime-time programs that I see on a regular basis that I don't prefer, you don't see me on a campaign to denounce their existence. Let's give our black filmmakers and actors more respect and understanding than that.

The skill set from your high level of inspection and critiquing of this show would be best applied to the various loopholes in wealth disparity in this country or possible discriminatory laws that have yet to reach the Senate floor, not on an evening program that has not even completed its first season. Do better with your educated efforts and theories analytically.

Here's to hopefully seeing you as part of the high ratings on Wednesday nights.







RELATED INFO